June 10, 2016
(To read about Jon’s mega-collection, Exit From The Matrix, click here.)
The year was 2066. There were no more show trials condemning traitors. It was over. A haze had settled in. People wanted a respite. They wanted to count their free money and free goods.
Memory, which had been out as a trend, was back in again. People were digging up old possessions, even books and letters.
The Department of Pacification estimated that, worldwide, there were 360 million individuals who resisted attachment to groups of any kind. For the moment, no one cared. Erasing the individual was proving harder than planned.
At Harvard, a professor of fine art found a piece of writing he claimed had been done by a former student, after the war in Asia. He could make no sense of it, but he posted it on the University Machine Press, as a curiosity.
No one responded to it. After all, the art studios on campus were empty. Most students and teachers considered art a form of insanity, and an ancient one at that.
This was the professor’s “find.” Author, unknown:
“I was just looking a wonderful Paul Klee painting on the cover of an old record album of Ravel pieces. Art is such a problem for some people because it doesn’t mirror the ‘the real world.’ The real world is their obsession. They stick to it like gum sticks to a sidewalk. It’s apparently their comfort and their refuge from stray thoughts that might take them out beyond the space of their minds. Beyond the machine of Normal. Art is their nemesis. It threatens their home base. Life has no answer for art. Nature is art, but it doesn’t seem to inspire most people to take a clue and look for other art. No, much better to stay where they are, in a fictional existence. Now, we are getting to the core of the collectivism that has flourished since the dawn of time. Deep in the mind there is a block of steel, a great piece of nothing that weighs a ton. It means nothing and it says nothing. It’s just there. It’s the key reference. Art takes a bludgeon to the block. It shatters it in an instant. It opens all doors and windows. It lets in light, the kind of light, for example, in Van Gogh, which does not occur in nature. Ravel does not occur in nature. Neither does Klee or Matisse or Matta or Degas or Bonnard. What keeps a human being locked up in his collective fantasies? What keeps him from leaving the reality machine in the dust? I’ll give you some kind of answer: he will not stand alone. That’s an answer. He would prefer to think “all of us together” will build a much better world. This will not happen, because a single better world is still a single world, and artists make millions of new worlds. That’s the whole point. That’s what art does. Millions of new and different spaces and worlds. Other than that, what we are left with is the reality machine. It spits out a line of existence in an unending spool. For everyone. By destroying that fictitious and presumptuous “everyone,” we open up the possibility of more artists coming into being. I have written that each one of us is an artist of reality. That’s not quite accurate. Each one of us can choose to be an artist of reality…”
Continue Reading At: OutsideTheRealityMachine.wordpress.com
The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.